I've been out of the loop. I restarted this blog back in 2012 to talk about jewellery, jewellery making and the wonderful work I find along the way made by other artists. And whilst I still intend to use this as a platform for that very thing, there will be a much more personal edge to this now, I think. My online presence was cut short last year by a number of obstacles, but the main focus of my attention, particular for the second part of the year was the dreaded return of my partner's cancer.
It's funny, after two and a half years of all clear, we had actually begun to relax and develop a 'normal' lifestyle. (whatever that is when one of you is a visual artist, the other is a musician and you're both certifiably crazy!) Cancer is a big toothed bug that takes momentous delight in creeping up behind you and biting you hard on your tenderest parts! Suffice to say, we've had a long and arduous few months of racing back and forth to St. James Hospital ( a good 40 mile round trip every day), grueling chemo (or 'Juice' as the doctors like to call it - trust me, there are NO healthy vitamins and minerals in this stuff!)
But more of that later, bite size is best with this subject. The jewellery I make was my escape throughout all of this - turning a situation that was potentially gut wrenchingly awful into something positive and creative. Here's a taster of some of the pieces I made in the middle of this mayhem.
This is my triangular magpie locket: I have an obsession with lockets, before I made jewellery I used to collect lockets, boxes and poison rings. I'm fascinated by clasps and locks, and compartments within compartments. I think I may have been a jewel thief in a past life:)
Continuing with the bird theme, I was working hard on my stone setting: it's an area I've always struggled with, so consequently obsess over until I get it right - these are pretty big rings, by the way! Maybe the shield form is a metaphor for how I deal with difficult situations: whether that's the case or just hypothetical bunkum, these are still very special pieces to me: I overcame a major difficulty with these on a technical level, and they most probably represented the bright light of success in a very dark place, secreted in a thicket of distress.